Learning to Cook
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    I grew up with parents that did a lot of the support stuff around the house without making me learn any of it. The result was me going away to college not knowing how to cook, clean, do laundry, fix things, or really any of the practical day-to-day life skills one needs to live independently.

    Luckily, I lived with the maybe unsupported belief that I could do anything if I tried, and failing seemed really low stakes, so I managed to figure things out.

    I am completely dogshit at cooking. Whenever I try a new recipe, I either burn or undercook the food, resulting in about an hour wasted of poor planning.

    There are a few tricks you can do to guard yourself here.

    First, if you're using the stovetop, turn the heat down. A lot. Especially if you have an electric coil stove. Most recipes are seemingly written to gas stovetops, and at high settings, electric stoves end up transferring way more heat into the cookware than a gas flame on high (flames lick up around the edge, and like half of the heat is lost to the environment). If you're using electric stoves, you basically never want to turn them up above 60% unless you're boiling water. So, treat 6/10 as "high" and adjust your scale accordingly.

    Second, use a timer. Don't let yourself walk away from the stove for more than a few minutes at a time, and if food is looking close to done, don't walk away at all. Things go from "mostly cooked" to "done" in a matter of seconds.

    Third, pre-heat your cookware. Don't add food to a cold pan. Add a small amount of fat while it is cold, and use its appearance to judge whether it's hot enough to add food or not. If you're using butter, wait for it to bubble; oil, wait for it to take on a shimmery appearance. Adding food to cold or unlubricated cookware can cause it to stick, and stick bad. More importantly, it's easy to walk away from a cold pan, and it doesn't remain cold for nearly as long as you think.

    Let's take eggs as an example. Frying an egg is trickier than it seems, particularly if you like a loose yolk, because yolks cook at lower temperatures than whites. Adding a knob of butter -- about a teaspoon, or roughly 1" X 1" x 0.25" -- to a non-stick pan, turning the heat to medium-high, and then watching for the bubbles tells you when to add the egg. The egg should sizzle a little, and the thinnest parts of the albumen should turn white immediately. Add a small pinch of salt, pepper, or other spices you may like at this time, then watch the egg carefully.

    Gradually, the white should turn more and more opaque. It should take a minute or two.

    If you want a fully runny yolk, flip it when it's opaque about half-way up; if you want it less runny or more gelled, wait until it's almost fully opaque, but still glossy. Once you've turned it over, it only needs to cook for about 60 seconds. The timing here will involve some trial and error to hit the exact yolk consistency that you want. Remember that it's OK if it's not perfect.

    Fourth, and finally, for baking, get an in-oven probe thermometer and an oven thermometer. Always pre-heat the oven, and don't trust the temperature setting until you've verified it with the stand-along oven thermometer. Baking and roasting is all about temperature control. It's ok to cook at a lower temperature than the recipe calls for, it will just take longer for it to finish cooking. It's also ok to cook roasted foods to lower temperatures than guidelines, so long as you cook them for longer. This will usually prevent things like meats from drying out as much. For instance, safety guidelines say to cook poultry to 165 deg. F, but this is the temperature that instantly kills microbes. It will also dry out the meat somewhat significantly. If you can get and keep the temperature at or above 150 F for four to five minutes, it will be just as safe. And it takes time for heat to penetrate the meat, so the internals usually continue to increase by 5 to 10 F after you remove it from the oven, so you'll almost always be able to keep it hot enough for long enough if you remove it at 150.

    But, of course, monitor it yourself to be sure. Or turn the oven off and crack open the door for a couple of minutes before actually removing it if you're worried it's not going to hold.

    This may involve walking back and forth around the kitchen getting ingredients as needed, forgetting to do a step, or forgetting an ingredient that is sitting on the counter away from me.

    Honestly, prepare everything you can in advance. Make a checklist, and break things down into steps. Chop of everything you need to fry. Put dense items like carrots and potatoes in the same bowl. Put lighter items like onions and celery together. Keep delicates like garlic separate. Pre-mix dry ingredients. Keep reactives like baking powder or baking soda to the side until you know you need them. This all takes a little extra time, but while you're learning it's really helpful to front-load a lot of the work and to keep track of it as you go.

    Also, read the full recipe and instructions in advance. A lot of cookbooks and cooking videos are poorly written and produced, and will throw "quiet" steps in like they expect you to know they're coming, like "mystery" shows that don't give you enough information to solve the mystery before the protagonist.

    My motor skills are sometimes clumsy with cutting, so oftentimes the vegetables and fruit are cut too thick, or not to the point where the recipe expects them.

    This comes with practice, and a home cook does not need the level of consistency or exactness that a chef in a Michelin star restaurant does, and if it's something that's really finicky that does, maybe skip it until you're more practiced.

    Or buy a mandolin.

    That's not usually necessary, though. Most cooking does not require strict tolerances on the size of things. The consequence of slicing things thicker than you meant to is that it will take slightly longer to cook.

    Like, every recipe under the sun will tell you to chop or slice vegetables into equally thick units, but that functionally never happens in a home kitchen. It's not that important.

    When I made aloo gobi, my cauliflower was too large, the potatoes were undercooked, and the other veggies were just a pile of slop.

    This is ok. Treat this as a learning experience. Slice your florets in half one more time, and add your vegetables to the dish at different times, starting with the potatoes, and ending with the stuff that turned out as mush. It's easier to cook things for different amounts of time than it is to figure out the exact sizes you need to make things so they take equally long to cook. Especially since some ingredients will stand up to being cooked for longer while others won't.

    Also, you can use a microwave to finish a dish that has some components that didn't get quite enough time on the stove or in the oven.

    Oftentimes I might hate the taste of what I’ve made, so ultimately I will act to not eat anything because I don’t want to waste money cooking then going out

    This is really hard, and I know is an incredibly frustrating experience. It takes time and experience with flavours and flavouring ingredients to get a sense for what works, and what fixes things when they don't work.

    Try to keep in mind when cooking that you can always add more of a flavour, but it's really, really hard to remove it if you add too much. Start conservative with seasoning, and build it up as you cook the dish.

    Make sure you use enough salt. If things are bland, even if you've added spices and other seasonings, it's probably because there's not enough salt. But add it lightly, testing the flavour over time. It's really hard to unsalt a dish if you go overboard.

    I know it can feel really daunting to try and cook. Failure, as you say, can mean feeling like you don't get to eat. But failure is also a teacher, and you've expressed specifics here that point you toward the kinds of things you can do next time to make things better.

    Something that can help with all of this is a cooking journal. It's a place where you can write down your prep notes, as well as the outcome of the dish, what was wrong, what could be done better. Try and keep things small to start, and work with forgiving ingredients (dark poultry meat, for instance, if you eat meat, or waxy potatoes). You build up your skills, and your intuition, slowly over time.

    You can do it. You just have to make it OK to fail. There's no shame in not being good at something you've never learned to do.

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  • What the hell?!
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    And politics is pagentry. Liberals believe strongly in the rituals of the state, and the respect of "the office". It almost never matters who the shitbag was who held the office, for them a part of the system is playing your role and not deviating from the script.

    This conveys nothing but the fact that she's following the script of political society.

    There are other reasons to dislike Harris. Better reasons. Reasons founded on something other than the want for people to ignore the established customs of the space they're inhabiting.

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  • OpenAI Is A Bad Business
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    There's a lot of things that LLMs are really good at, or incredibly useful for, such as ingesting large bodies of text, and then analyzing them based on your ability to create well thought out prompts.

    That's the story people tell at least. The weasel phrase at the end is fun, I guess. Leaves a massive backdoor excuse when it doesn't actually work.

    But in practice, LLMs are falling down even at this job. They seem to have some yse in academic qualitaruve coding, but for summarizing novel or extended bodies of text, they struggle to actually tell people what they want to know.

    Most people do not give a shit if text contains a reference to X. And if they do, they can generally just CTRL+F "X".

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  • OpenAI Is A Bad Business
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    See that it's never going to make money, go public, hand the keys over to someone else, and then try again with a wallet full of cash and a reputation for making billion dollar businesses.

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  • Nintendo Is Now Going After YouTube Accounts Which Show Its Games Being Emulated
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    Just to be clear, publishers don't like reviewers, either. They're seen as gatekeepers of audiences and people to be managed and bribed, and that means keeping the reviewer market small. They want reviewers to be PR people with a fascade of being impartial, and few enough to count on one hand.

    This is also somwthing that's happening, then, because Nintendo sees a pathway to victory. Not only are their games licensed only for their own hardware, but they can claim the reviews are misleading and invalid because the games aren't designed to run on the platforms they're beinf reviewed on.

    Like, none of this is Nintendo coming for your emulation catalogue. It's them coming for people trying to generate an income from their games. And all of the big publishers are going to line up behind them on this, because they also hate anyone who's making coin using their creation.

    That's capitalism. That's what it means for something to be capital, and to own it. It's what owning the means of production is all about.

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  • Nintendo Is Now Going After YouTube Accounts Which Show Its Games Being Emulated
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    This is not about the legality of emulation, unfortunately, but about whether people have the rights to publish lets plays without a license.

    Many suits in the gaming industry see lets plays as theft. They see people making money using their games and believe lets players should have to pay to license thst content, and that they should have the right to revoke that license if they don't like what people are saying about or doimg with their games.

    I work in the industry, and I know people who work or who have worked at studios owned by every major punlisher in the west. This is a thing they all habe someone of import chomping at the bit for.

    It's just that none of them want to be the one singled out as the first or only one attacking lets plays. Nor to be the one that shoulders the costs of having their position challenged in court.

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  • Nintendo Targets YouTube Accounts Showing Emulated Games
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    This can't be a new thing. This was one of the conditions Nintendo announced when they dropped their stupid "register with us to be allowed to do lets plays" thing.

    Oh, and it's not just Nintendo. All of the big publishers believe they own your videos that use their games. I've been involved in discussions with people personally who were trying to figure out how to demand licensing fees from YouTubers.

    This is goingnto get worse before it gets better. This has been a traffic jam caused by everyone waiting for somebody to go first. Nintendo is just the one who has volunteered to be the first mover.

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  • Raisins!!
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    But I might be wrong; I feel 70% certain about this one.

    You should downgrade your certainty. By a lot.

    The expansion is an expansion of space, and therefore explicitly increases the distance between galaxies. It does not, and cannot increase the speed at whoicj those galaxies travel through that space.

    Right now, there are galaxies moving away from us at rates higher than the speed of light, a thing which is physically not possible if the expansion is due to an acceleration of the galaxies themselves.

    You've misunderstood things completely backwards.

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  • Do you pronounce "Data" as "Day-ta" or "Dah-ta"?
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    Almost exclusively day-ta.

    I'm a day-ta scientist who grabs raw day-ta from a tay-ta warehouse (using an interface that makes it look like a day-ta base) and manipulates it inside day-ta frames in order to do day-ta analysis. I also design day-ta analytics schemas.

    Sometimes, though rarely, that day-ta warehouse holds rah dah-ta, though, and I can't tell you how it got there or why.

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  • In their plaintive call for a return to the office, CEOs reveal how little they are needed
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    The case of remote work shows that the CEO class as a whole failed to pick up an innovation yielding massive benefits before it was forced on them by the pandemic, and have continued to resist and resent it ever since.

    Hey, look! It's the whole of what's going on here. The bosses were forced into letting us have a thing, and, as a result, they will never accept us having it, and will do everything they can -- including destroying the business, if they're privately held -- to take it back.

    They lost a minuscule slice of power over our lives, and they will never forgive us for that.

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  • In Over My Head
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    In false-friendly spaces like OP describes, people who are non-conforming can be singled out and treated poorly.

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  • Now Dell sales staff must be onsite five days per week • The Register
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    I quit my last job because they pulled us back to the office. That's going to be a lot harder to do next time becauee of BS like this.

    Everyone just has to sit on their hands and strike in-office to drive home the point. Something that'll never happen in unorganized workplaces.

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  • Might not even have to change the acronym
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    It's funny. Before ChatGPT 3 hit the internet and LLMs became this big corporate white elephant obsession, I wpuld get pulled into meetings with my manager to discuss the "harsh tone" of my emails.

    Now my bosses are pushing for us to use LLMs for basically everything, and my emails are no longer an issue.

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    Jump
    Someone please help me process this.
    Public system spent at least $1.5-billion on private nurses last year, study finds
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    On the plus side, the province has demonstrated that the work nurses do is worth that much to it. Should be fun pointing that out in contracr negotiations.

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  • Someone's going around on Reddit recruiting for a Nova Scotia 'friendlies' Discord server. I just wanted to pass the link along in the off chance that someone here was interested. https://discord.com/invite/C2qPFDMc

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    docs.google.com

    cross-posted from: https://lemmy.ca/post/20694686 > u/corsica1990 over on th'other site posted a survey a few days ago, trying to figure out how easily people could intuit creatures' worst saving throws (Fortitude, Reflex, or Will) based on just the creature's name and bestiary art. > > How'd you do? Also, will you, too, forever have nightmares about jellyfish clam squids? Because I ain't ever unseeing that.

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    cross-posted from: https://lemmy.ca/post/19889099 > So, over on the subreddit there's a post that caught me off guard. I'm not experienced enough with the game to know the ins-and-outs of all of classes, so when someone posted asking about Ruffian Rogues and Picks. > > From the comments, this appears to be a Thing of Great Contention within the Pathfinder space (or, at least within *that* Pathfinder space; I find r/Pathfinder2e to be a rather... idiosyncratic place, personally). > > The long and short of it is that Picks have the Fatal d10 trait, but Ruffian specifies: > > > You can deal sneak attack damage with any weapon, not just the weapons listed in the sneak attack class feature. This benefit doesn't apply to a simple weapon with a damage die greater than d8 or a martial or advanced weapon with a damage die greater than d6. (**Apply any abilities that alter the damage die size first.**) > > (Emphasis mine.) > > A lot of words have been published over how the Ruffian doesn't lose Sneak Attack on a critical hit, but this seems pretty straight forward from the text here that it does. Weird and stupid, and something I'd never personally enforce, but clear and straight forward nonetheless. > > This is the updated wording from Player Core 1, no less, and Ruffian's text was updated in the remaster, so there was an opportunity to reword or clarify that was not taken, so I'm not sure what others are reading from this that I'm not. > > How do you interpret this situation? How would you judge it at your table?

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    Crazy how the only one of these airing criticism that says the budget isn't doing enough is the publicly owned one.

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    Hey everyone, just an update to my last post from Sunday night. The eclipse went off without a hitch -- thankfully, I am not personally capable of interfering with celestial events -- and I have to say, nothing could have ever possibly prepared me for the experience. No photo has ever actually captured what I saw Monday afternoon. I don't think any of them have come close. Picture of my own attached for total lack of effect. As I looked down at my camera screen and watched the last light of the crescent Sun disappear from my view, I felt totality occur. The umbra of the Moon swept over me while I looked down, and the world got noticeably chilly. The wind died down. The world was silent for a hiccup. I immediately and excitedly looked up, and I think my brain broke. Hovering in the sky over Potato World was an black, alien orb, surrounded by a thin ring of brilliant white and pink shimmering fire. It was something straight out of a science fiction movie, and not necessarily a good one, either. It looked so *incredibly* fake. It looked downright *cartoony*. And it hit me like a ton of bricks. I wept as I stared at it, completely unable to maintain composure. I gawked at how bright the solar corona actually was -- I had completely expected to have to strain to see it. I marveled as I realized I was seeing, with my own two, naked eyes, solar prominences arching over the limb of the Moon. And I just sobbed through the whole experience. My fiancee, whose interest in this had seemed to be primarily a mix between modest curiosity in a significant natural and cultural event and support for my interest, also cried at seeing it, while her son sat on the ground with his mouth hanging open. It was both the longest and the shortest 3 minutes of my life. When it was over, I just stood in the field in a daze, periodically pressing my camera's shutter button. In just a few minutes following the end of totality, the field, in which hundreds of people had gathered, was nearly empty. Only a handful of us remained, and most of the others had heavier equipment than my DSLR and tripod. At the end of the day, I didn't quite get the pictures I wanted. I had hoped to get bracketed exposures during totality, and I had assumed that my camera's settings for that when using the LCD display as digital viewfinder would be the same as when using the optical viewfinder, and they weren't. But I'm not too fussed about it. The pictures still turned out significantly better than I could have hoped for. I'll be posting the rest of my photos -- including some pictures of Potato World itself -- to my PixelFed account, which can be found here, if anyone's interested: https://pixey.org/i/web/profile/384533916920271164

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    I'm sitting in a dark hotel room on the eve of my first - and possibly only - total solar eclipse, with my partner and step-son, and I am positively awash with emotions. I have been waiting for this day for 30 years, since my first partial eclipse in May of 1994. That was an underwhelming experience for many reasons, but not the least of them was that I had nothing and no one to view the eclipse with. Three decades, two astronomy degrees, 5 years operating a planetarium, and 5 years as a guide at the local observatory later, and I'm fully prepared. Today, I have more viewing glasses than i have fingers, two cameras with filters, I have my family, and I am smack dab in the middle of the path of totality. And the forecast calls for clear skies. I can't believe it. I can't believe that this is actually happening for me. That everything looks like it's going to work out. The only disappointment is that I discovered that *Potato World* exists - it's the New Brunswick potato museum (and it's next door to my hotel) - but it's *closed*!

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    www.adventurersarsenal.com

    Xalchs just posted this to Reddit, announcing the launch of a new website hosting their Pf2e compatible item cards. There's currently 40 available, but they're apparently planning to expand the deck to 200 over 2024.

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    Spoiler Warning: Contains unmasked spoilers for the first encounter of *The Longnight Before Krampus* My sister-in-law and niece are staying with us over the holidays, and truth be told, we don't reeeaaaaally have the space to house guests. We just have the most space of anyone in my partner's family. Partially because of this (and partially because the next generation of my partner's family is entirely comprised of only children who have apparently finally started to reach the "WTF is 'sharing'" phase of being only children), there have been some conflicts between the chilluns under my roof this week, particularly when it has come to unstructured play. So, I thought, maybe tonight was the time to bust out some structured, non-denominational, solstice-adjacent winter holiday themed play! I had [The Longnight Before Krampus](https://preview.drivethrurpg.com/en/product/420465/The-Longnight-Before-Krampus) printed off and ready to go and asked the wee warriors if they wanted to roll some dice. With the other adults in the room busy with holiday baking (I'm off of food prep this year, due to everyone else using my kitchen), and having shouldered more of the youngun refereeing than me (I was out all afternoon running errands), I didn't think anyone else would have the bandwidth for a game, so I thought it would be a relatively rigid affair. You know, the kind of thing that I could control to the point where two pre-teens would tolerate it, because someone was actively entertaining them, but stay in their lane, because I'm a large, loud guy who's often quick to say 'no'. So anyway, the party of 5 walk into the inn on a cold, dark, storm winter's night, and both kids immediately start to shout over me. Well... shit. "I put out a cup and start painting a picture!" cries out the visiting kid, playing a wild order woodland elf druid with an art degree. "I put out a cup and..." my step-son -- playing a storm order woodland elf druid -- yells his attempt at further mimicking his older cousin cut off by the big, mean game master. "What are you painting on?" "I don't know. The wall?" she says, almost confused by the question. "You see the innkeeper approach quickly. She has a stern, if somewhat surprised, look on her face." "Uhhh, I meant a piece of paper." "I put out a cup and start doing magic card tricks!" my step-son yells out again, trying to assert his copy-cattery. "Do you cast any spells?" "No." "Both of you roll perf..." "I come over and start playing my lute," interjects the bard, played by the older child's mother. "Ok, I'll need performance checks from all of you," I inform them as I secretly roll a d10. The first pages of the adventure introduce a bevy of triggers for the first encounter, the suddenly most appreciated one being "if no one triggers it within 10 minutes". A mixed set of performance rolls nets them a couple of coins, and nets me one step-son asking every 30 seconds if he can re-roll his failed check. The adventure actually prompts the GM to hand out hero points after each encounter, so I didn't start the party with any (thinking they'd have one in short order, and that it would feel better getting one as a victory prize). It was around this point where I started regretting that decision. While the merry band of uninvited buskers do their thing, the party's Oracle -- played by my partner, and the mother of the mother of the already tilted younger druid -- decides to talk to the innkeeper. She orders a drink and starts to ask her a question when the elder cousin suddenly screams out, "I seduce the innkeeper!" With seemingly everyone else in the room distracted, the Rogue Thief does a circuit around the room, easily picking every pocket they come across. I roll the d10 again. It comes up as a 3. The Bard, suddenly freed from her sense of obligation to spotlight her little one, looks around the room and sees the innkeeper's son looking longingly at the ever shortening candle on the fireplace mantle, as he waits for the moment where he can open the mystery boxes under the ~~Christmas~~ Longnight tree. So, using her foot, she slides one of them across the room to him. "Oh thank the gods," I think to myself. Touching one of the presents is an encounter trigger. "I need everyone in the room to give me a perception check," I inform them. Most of them roll pretty low. Meanwhile, the evil poppet inside the box rolls a massive deception roll for their initiative, and looks like a regular windup toy to everyone. Only the thief takes notice of it at all, amused by how it seemingly is heading back to under the tree, where it just was. I turn to my step-son and ask him what he wants to do. His cousin excitedly leans in front of him and starts yelling again, but I cut her off and inform her that it's not her turn yet. I repeat my question. "I go over to \[Bard\] and point the toy bear out to them," he says. "Ok, that's your first action. What else do you do?" "Wait, we're in combat?" "No, but we are in encounter mode. All that means it that the order in which everyone does things matters. You have two actions left." He spends another action pointing the walking doll out to everyone else, and then finishes his turn off finally re-rolling for his card trick. The Oracle goes next, but she pays little attention to the transpiring events. Instead, she spends an action to talk to my step-son, and to drop a silver coin into his cup, before turning back to the inn keeper to ask her about renting a room for the night. Next, the Rogue starts investigating the doll. A middling crafting check informs them that this thing doesn't look like something that should be able to walk on its own. Also, who wound it up? They pick the bear up, only to have it squirm out of their grip. The Bard comes over to try grabbing it, and rolls high on their grapple attempt. They look closely at the bear and discover that it spells of black powder, and seems to have ill intentions. The elder druid throws her dagger at the bear \-- and her mother -- landing a critical blow. She then walks over to the window and opens it. The bear tries to break free, but fails its saves. Now the younger druid, who I foolishly allowed to have a jezail because I'm that dumb, turns his rifle on the bear \-- and the Bard. At this point the Rogue -- his other bio parent -- points out that someone is holding the bear, and that he'll end up shooting them, too, he instead turns to them and says "I'll shoot you, then". Nice, quiet, structured play. That's what this'll be. They did, eventually, win the encounter. And somehow, no one got shot, despite multiple threats -- it turns out the over-tired ten-year-old competing for the spotlight is *very* sensitive to being told he'd have to relabel his character as chaotic evil if he shot any of his teammates. But yeah, gonna keep a closer eye on that one before he succeeds in Marty Jannettying someone through a window.

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    Kichae

    lemmy.ca

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